This class exists in these courses :
• Faculté des Lettres et Sciences Humaines - Licence 3 Métiers de la Culture et des Arts - S5 - 2 ECTS

Learning outcomes

To question the aesthetic challenges in the
different ways paintings are viewed on screen; to

learn how to recognize a certain pictorial
influence in various movie genres; to understand the specific features of movie
images, and, thanks to an in-depth analysis, understand the dialogue between
images.

Course description

Painting and the
cinema are slightly intertwined from their beginnings, with Lumière being “the
last impressionist,” according to Jean-Luc Godard (La Chinoise, 1967).

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Where and why do paintings appear
on stage?

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Can we speak of a “plan-tableau”
(Pascal Bonitzer, Décadrages)

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How does cinema – as the art of
moving images - deal with still images?

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How does a conversation start
between the character, the painting and the spectator?

Class type

Class structure

Teaching methods

Assessment

Recommended reading

• La bibliographie sera, complétée en regard des films et des notions étudiées.||
  Jacques, Aumont, L’Œil interminable : cinéma, et peinture, Paris, Librairie Séguier, 1989||
  Pascal, Bonitzer, Décadrages, Paris, Éditions, de l’Étoile, 1985||
  Luc, Vancheri, Cinéma et peinture :, passages, partages, présences, Paris, Armand Collin, 2007||
  Hitchcock et l'art :, coïncidences fatales,, dirigé par Guy Cogeval et Dominique, Païni, Paris, Editions du Centre Pompidou, 2001||
  Peinture et cinéma,, Pictorialité de l’image filmée de la toile à l’écran, Revue Ligeia,, Dossiers sur l’art, Juillet-décembre 2007